Welcome to Keynsham Film Works
Christmas is around the corner, we’ve Thelma in December and hope to see you for some festive cheer!
We showcase a mix of indie gems, world cinema, cult classics, and hidden treasures you may have missed or didn’t make it to the mainstream cinemas. Join us for a cinematic experience in the heart of Keynsham where you’re never quite sure what you’re going to get!
Everyone’s welcome, bring your friends and enjoy a drink with the film – if you’re trying us out for the first time (where have you been?) it’s £5 on the door. We screen films to members and visitors on the first Thursday of the month from September to June at The Space – which is above the library. Doors open at 7.10 for a 7.45 start. We can get quite busy and (so far) seats are on a first come first served basis, there’s no booking in advance.
The entrance to The Space is the side door on Temple Street (opposite Iceland) as there is no access via the Library.
Full membership for the year is still £30, cash, card payments or cheques (payable to Keynsham Film Works) can be made on the night, this gives you entry to all 10 films making it £3 per film. You can pay on our website here using paypal if you prefer and save the paperwork 🙂
If you’d like to receive reminders of the next film via email please join the mailing list – we only send a quick email out on the Monday before the film with details and any relevant message (like snow warnings!).
Keynsham GreenScreen
Our short run of Eco films has finished, we had a great turn out and very positive feedback, let’s see if we can do it again in 2026.
Our next film is:
My favourite cake
8th January 2026
A poignant bitter-sweet comedy about Mahin, a 70-year-old widow in Tehran, who decides to reclaim her life after decades of loneliness. She forms a connection with taxi driver Faramarz, which leads to a blossoming, albeit unconventional, romance. Exploring themes of love, loss, and the social constraints faced by women in Iran this wonderfully sweet and funny film will contribute to the debate about whether repressive regimes are the nursery of artistic greatness. It’s married directors were charged with making anti-government propaganda and banned from its premier in Berlin.



















